Black Joe Lewis & The Honey Bears at Mississippi Studios - Sep 4, 09
This fresh young band from Austin, Texas, is taking the sounds of blues, R&B and soul into a new direction that absolutely sizzles. Riding high on their first full-length CD, Tell ‘Em What Your Name Is (Lost Highway), Black Joe Lewis took influences from the likes of James Brown and Lightnin’ Hopkins and as described by the Austin Chronicle, developed a style and ability to “spit lyrics in short bursts of aggression like bricks at glass windows.” He is shattering pre-conceptions of how these forms of music are supposed to sound, offering a sensational raw approach that is winning over fans everywhere he plays.
It’s a big band, with guitar duties shared between Lewis and Zach Ernst, plus a full horn section to give them that bit of Memphis pizazz. As their website proclaims, Black Joe Lewis & The Honey Bears “has the kind of gritty attitude and deliciously greasy groove-consciousness that’d pass muster in the toughest juke joint.” This is one band that may be just getting started, but you’re definitely going to know more about them shortly. Catch them now at Mississippi Studios on Friday, September 4th!!
This is a double-billed show that will also feature Portland’s own Coco Cobra & The Killers, a punk/garage/rock band led by well-known stripper, actress and author Viva Las Vegas who recently published her first book Magic Gardens. Definitely an eclectic evening is in store with these two acts combined. Mississippi Studios is located at 3939 N Mississippi Ave., Portland. Tickets are $12/advance, $14/day of show. Doors open at 8:00 pm, show begins at 9:00.









In my opinion, and without doubt the opinion of many blues lovers world-wide, Otis Spann is the first and foremost name among blues piano players. Best-known for his time spent with the Muddy Waters Band, he also often worked solo or with other musicians. His album Otis Spann Is The Blues, which resulted from a recording session Spann had done with Robert Lockwood, Jr. and St. Louis Jimmy in 1960, has been long considered a classic and was inducted into The Blues Foundation’s Hall of Fame in 1995. It is through such works that Spann has influenced countless blues pianists since, David Maxwell included.
